Three Forms of Irony in Shakespeares Macbeth Essay -- GCSE English Li

   Macbeth, is a story of a man who's ambitions have brought him to commit treason and murder. Visions of power grew within his head until his thirst for power causes him to lose that very source of his ambition to the blade of Macduff's sword. It is the ironic and symbolic elements such as this in the play which contribute to much of the acceptance the work has enjoyed for centuries. Three forms of irony may be found in the play, Macbeth: Dramatic irony, being the difference between what the audience knows and what a character knows to be true; Verbal Irony, being a difference between what is said and what is meant; and Situational Irony, a difference between what happens and what is expected to happen. I will attempt to show examples of each of these forms of irony and explain their relevance to the characters and the plot.   There are many examples of dramatic irony in the play which we might discuss. A major example is where Lennox asks Macbeth whether the king is to leave Macbeth's castle for home, Lennox: "Goes the king hence today?" Macbeth: "He does: he did appoint so." (II,iii,54-54) Obviously Macbeth is lying through his teeth, for the audience was fully aware that he planned to murder King Duncan that night. But if one takes Macbeth's reply literally, Duncan did "plan" to leave the castle the next day; there is no lie to be found in that. One can look back on the porter's hidden truths at the beginning of the scene, Porter: "Knock, knock! Who's there, i' the other devil's name! Faith, here's an equivocator, that could swear in both the scales against either scale; who committed treason enough for God's sake, yet could not equivocate to heaven: O! come in, equivocator." (II,iii,7-11) .. ....   Criticism on Shakespeare s Tragedies . A Course  Ã‚  Ã‚   of Lectures on Dramatic Art and Literature. London: AMS Press, Inc., 1965.  Ã‚   Shakespeare, William.   Tragedy of Macbeth . Ed. Barbara Mowat and Paul  Ã‚   Warstine. New York: Washington Press, 1992.  Ã‚  Ã‚   Steevens, George. Shakespeare, The Critical Heritage. Vol. 6. London:  Ã‚   Routledge & Kegan Paul, 1981.  Ã‚   T.W. Shakespeare, the Critical Heritage. Vol. 5. London: Routledge & Kegan  Ã‚   Paul, 1979.  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Wills, Gary. Witches & Jesuits. Oxford: Oxford University Press, 1995.     Epstein, Norrie, The Friendly Shakepeare, New York, Viking Publishing, 1993. Harbage, Alfred, Macbeth, Middlesex England, Penguin Publishing, 1956. Magill, Masterplots- Volume 6, New Jersey, Salem Press, 1949. Staunten, Howard, The Complet Illustrated Shakespeare, New York, Park Lane Publishing, 1979.